Panoramic Images

I am obsessed with photographing water ripples. Some day we hope to do an entire book of these abstract ripple shots. Blue is my favorite color and I love how many different shades of blue appear in this photograph. The sky tonight was bright blue and had tons of huge white puffy clouds that reflected on the calm waters of Lake Michigan as we stood at the elbow of the breakwall in Ludington with several workshop students.

One of the best parts of my job is that I am always meeting new people. My wife, Betsy, my dad and I trekked to the Big Point Sable Lighthouse on a long summer evening. Upon arrival, we were greeted by volunteer lighthouse keepers outside working on the grounds. They generously offered to turn on all of the interior and exterior lights. My dad climbed a dune to shoot from the south, while Betsy and I walked down the beach a few hundred yards to shoot from the north. To our surprise, we found a perfect reflection of the lighthouse in a storm pool. This shot would not have been possible without the help of the lighthouse keepers and for that I am very grateful.

In our 20-20 Vision course, my son Brad and I teach our photography students 20 concepts we use in building strong images. We like to think of these concepts as 20 distinctly different arrows in our photography quiver that we can draw from. This is the best image I have ever made of Little Sable Point Lighthouse, not only because I used a lot of image-building arrows, but because each of them was right on target maximizing the visual impact of the photograph. The dramatic clouds in the mid-October sky enabled me to use one of my favorite arrows: “Clouds are your friends.” Not only were there great clouds, but at the moment of exposure, the clouds were wonderfully positioned in relationship to the lighthouse. This was the fifth consecutive morning I had made the 60-mile round trip to Little Sable Point. I determined the ideal spot to place my tripod on the first day. My goal was to create a three-layer “Grand Scenic” layer cake, marrying foreground, middle-ground and background elements together in a beautiful union. A triangular mound of dune grass provided the perfect foreground and base in which to place my camera. This foreground layer was the most essential layer to make viewers of my finished photograph feel as though they were actually standing there with me. Brad and I strive to make photographs that transcend from pictures to experiences. We want viewers to step right into the scene. I designed and built a strong image that first morning. All the compositional elements were in place. All that was needed now was God’s “magic light” to finish the image. Four mornings in a row I watched and waited. On the fifth morning the light was sharp, the westerly wind was building up some great waves into repetitive patterns, and the clouds looked especially stunning and powerful. After 100 cold minutes, a bright beam of light appeared headed my way like a giant search light. As the light hit the lighthouse, I began shooting. A few seconds later the light also lit the dune grass in front of my camera and tripod. For about five seconds in five days, one of the most glorious shoreline scenes I have ever witnessed lay before me. Then the magic light moved on, and the scene became so much less moving. I and other photographers have made subsequent photographs from almost exactly the same spot. I don’t think Mother Nature will ever duplicate this day. I thank God I realized the need to persevere and be there at this amazing moment.

When God creates a scene this extraordinary, you pray to God you will be there! Lake Michigan waves flooded the Ludington State Park beach on October 18, 2007, during one of the most apparent meteotsunamis Brad and I have experienced in our photographic lives. These Great Lakes weather-driven meteorological tsunamis happen many times a year. They quickly raise the water level and flood the shoreline. Most of these meteotsunamis have little impact. We have left camera bags high and dry, only to find them sitting in a lake that wasn’t there 15 minutes earlier. We knew from experience to respect the water and realize we and our camera equipment could get swept away if we did not maintain situational awareness. This day, I had chased the storm clouds to Ludington State Park after spotting them while driving to the Ludington beach. Moments after I arrived, I heard noise behind me and turned to see Brad running down to the shore wearing soccer shorts, shoes and T-shirt. It was hilarious to see someone running toward a fall Great Lakes storm dressed in that outfit. But, like me, he knew time was of the essence when he interrupted his participation in a soccer game to chase a storm. People often think we wait for hours to get our shots. But, especially in the case of fast-moving storms, we are often chasing the storm like mad dogs. Just as Brad arrived, the sun popped out of a hole in the clouds and flooded the beach with light. Before us was one of the rarest magical Lake Michigan views of our lives. I will never forget the experience of being there in sun and wind and water. Less than five minutes later, I would witness and capture with my digital camera an equally memorable out-of-this-world moment. Bottom line for photographers, when it looks this great, focus with all your being on your photography until the magic disappears.

Radiant - Panoramic

First Street Beach in Manistee is always a great place to photograph a beautiful Lake Michigan sunset. After a long, hard day of shooting, it warmed my soul to see the sun pop through the clouds just before sunset. D800, F8 at 1/60, ISO 100, 70-200mm lens at 130mm

Loving October - panoramic

Dream Voyage - Panoramic

The 1004-foot-long Edwin H. Gott steams past Round Island Light in the Straits of Mackinac. The 105-foot wide Great Lakes freighter is capable of carrying a 74,100-ton cargo of taconite or other materials. F4 at 1/3200, ISO 100, 14-24mm lens at 14mm

A cool new tradition in Pentwater every summer night is to give the sun a standing ovation as it dips into the water. I am sure this happens in several Michigan beach towns. It would be fun to try coordinating it statewide on the same evening and make it an annual event. D800, F11 at 1/60, ISO 100, 24-70mm lens at 24mm

My dad and I try to position ourselves at dynamic angles to our photograph's subject. In this photograph, look at the triangles that are created throughout the composition. By placing the jetties at a dynamic diagonal on the left side of the image, it creates a more powerful and three-dimensional look and feel. F7.1 at 1/20, ISO 100, 18-50mm lens at 20mm

Tranquil summer evenings on the Lake Michigan waterfront lure boats and people like fish to water. This late July evening in Pentwater was no exception. As in so many other favorite locations along the Lake Michigan shoreline, people and their vessels are drawn back year after year like salmon to their birthplaces.

My aunt and uncle, Sue and Randy Marble, just purchased a large canvas of this photograph of the White Birch Forest. This incredible forest is about 16 miles west of Grand Marais on Alger County Road H-58. The first week of October is often a good time to visit the White Birch Forest to see the surrounding maple trees in peak fall color. D800, F2.8 at 1/320, ISO 100, 300mm lens at 300mm

As I was standing at the water's edge of Lake Michigan at the Ludington State Park with a workshop student, I saw one single leaf wash ashore. I quickly grabbed my camera and made this image. A moment later, a wave came and took the leaf back to sea. Nikon D800. F5.6 at 1/50, ISO 3200. 14-24mm lens at 24mm. Handheld without a flash. October 14, 2017 at 7:06pm.

Fall is a nice time of year to shoot sunrises because you don’t have to get out of bed as early to catch the first light of day. The best light to photograph a sunrise often appears 20 minutes before the sun actually appears on the horizon. I made this photograph at Lost Lake during one of our “Picture Perfect Weekend” Workshops. Several of our students made equally compelling photographs.

Logans Pass - Panoramic

Looking more like a watercolor painting than a photographic image, the Island Trail at Ludington State Park has never looked more gorgeous to me than on this November evening.

As soon as the Manitou Island Transit ferry landed at the dock, I made a beeline for South Manitou Light. I could see from the boat how beautiful the light and shadow were playing on the 100-foot-high white tower and knew I had to get to this spot ASAP. I waded into the shallows in order to use the intriguing water-covered rocks as a foreground base to my image.

Today is Christmas Eve. Everything is still and calm. It is nice to enjoy this quiet view of the Silver Lake Sand Dunes all by myself this morning because I know the next week will be crazy busy with Christmas celebrations and a lot of eating. I take time to reflect on what an eventful year 2014 has been and all the good times I have had with my family and friends. Life is good! D800, F22 at 1 second, ISO 100, 24-70mm lens at 70mm

Dream Voyage - Panoramic