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When I was a kid, my brothers and I spent a lot of time climbing trees in our neighborhood near Lake Michigan. One of our neighbors had a huge old beech tree in his yard and he would let all the neighborhood kids climb it. While I was photographing this tree in Marshall, Michigan, I could hear all the laughter and voices of my brothers and friends in my head and it made me smile.

As I was standing at the water's edge of Lake Michigan at the Ludington State Park with a workshop student, I saw one single leaf wash ashore. I quickly grabbed my camera and made this image. A moment later, a wave came and took the leaf back to sea.

We always tell our workshop students to stick around after the sun goes down to see the afterglow. Tonight, we had several workshop students on the Manistee beach with us. The sun had already set and the sky was dull. We decided to get a group photo together. Just as I was making the group shot, the sky erupted with intense color. We all split up and ran for our camera gear. It was a great teaching moment!

A breaking wave splashes onto the rocks protecting the Pentwater South Pier. I am one of only a few visitors to the Pentwater waterfront this evening. I savor the sunset in solitude.

My grandpa, Bud Reed, always gave a thumbs up as his sign of approval. The last few years of his life, he could not hear very well. The thumbs up was often his way of letting you know he understood what you were trying to say.

A mare and its foal look like they are attached at the hip as they graze in their pasture north of Fremont. I am struck by how synchronized they graze, walk ahead a few steps, then resume grazing side by side.

As soon as the Manitou Island Transit ferry landed at the dock, I made a beeline for South Manitou Light. I could see from the boat how beautiful the light and shadow were playing on the 100-foot-high white tower and knew I had to get to this spot ASAP. I waded into the shallows in order to use the intriguing water-covered rocks as a foreground base to my image.

Sunshine, blue skies, and melting snow along the Lake Michigan shoreline north of Point Betsie: March is looking lamb-like today. I am especially intrigued by the light dancing on the water covering the rocks, so I decide to emphasize the foreground.

As soon as the Manitou Island Transit ferry landed at the dock, I made a beeline for South Manitou Light. I could see from the boat how beautiful the light and shadow were playing on the 100-foot-high white tower and knew I had to get to this spot ASAP. I waded into the shallows in order to use the intriguing water-covered rocks as a foreground base to my image.

Simplicity is one of the 20 concepts we teach in our 20/20 Vision workshops. Simple pictures can be hard to pull off because there is a very fine line between simple and boring. Thankfully the gorgeous sunlight reflecting off Lake Michigan helped make this simple picture beautiful and not boring.

I haven't spent much time on sailboats, especially on Lake Michigan, but every time I see one catching the wind I think it looks like something I would really enjoy. From my aerial view, I could see the different wind currents on the surface of Lake Michigan. F9 at 1/2500, ISO 800, 70-200mm lens at 200mm

Tom and Yvonne Beatty own Trillium Creek Gardens on Conrad Road between Ludington and Scottville. Today, a beautiful double rainbow appeared to land in the farm field just behind the Beatty's historic red barn. I love when it is raining, but the sun is shining

In my mind's eye, I see this picture as all about patterns and not at all about color. Any of the color seems distracting so I make an image to emphasize the pattern and tonal values, knowing I will remove any color later. F18 at 1/125, ISO 100, 24-70mm lens at 70mm

Shoup Family Farm Weldon Creek Farms

Old Mission

A Road to Remember

Bay Harbor in Petoskey is an enchanting place full of beautiful homes and wonderful people. This tree, near the main entrance on US31, grabbed my attention as I was driving by. I turned my truck around and made a 30 second exposure. I love how the final image turned out. D800, F16 at 30 seconds, ISO 100, 70-200mm lens at 78mm

I have been obsessed with old ship propellers and anchors my whole life. I must not be the only one because they are common sculptures and art pieces today around the world. I love Ludington’s old carferry relics. I found this grouping of propellers on the grounds near the Badger today and couldn’t resist making an image.

Looking more like a watercolor painting than a photographic image, the Island Trail at Ludington State Park has never looked more gorgeous to me than on this November evening.

A crazy story - As many people know, the news was predicting a good Northern Lights show for a lot of Michigan on Saturday evening, including the Ludington Area. Saturday afternoon during the Michigan State vs. Michigan game, my app, Aurora Pro, alerted me that the current KP was a 7. Of course, because it was mid-day and sunny, you couldn’t see the Northern Lights overhead. I have seen the Northern Lights in Ludington at least twenty times, but only twice with a KP of 7 or higher. Both of those shows were out of this world and the lights were super visible to the human eye. So after a fun family gathering at my dad and stepmom’s for pizza Saturday night, I eagerly headed to the Ludington State Park to try and photograph the Northern Lights. I put on all my warmest heavy weather gear and got into position 30 yards south of the Beach House and stood right on the Lake Michigan shoreline. I knew I couldn’t see the Northern Lights with my eyes, but thought maybe my camera would pick them up. I made my first exposure at 8:26pm. That exposure was 70 seconds long. The camera picked up no Northern Lights. I was bummed, but I shot a few more images just to be sure. Still no luck. It was a beautiful, cold, clear night and the stars and Milky Way looked beautiful. I decided to move my camera on the tripod and aim straight West and almost straight up above my head to capture a long exposure of the Milky Way. I had my camera on manual metering like always. I adjusted my shutter speed to the Bulb setting. I had my aperture at F8 and my ISO at 800. I had my camera set to mirror lockup. That way, once I pushed the trigger on my cable release and locked it in, my camera would “shoot” a picture as long as the trigger was locked. After a few minutes of standing next to my camera as it was exposing, I decided to lay down on the shoreline and use my camera bag as a pillow to watch for shooting stars as my camera continued to expose the night sky. In true Brad fashion, I quickly fell asleep. I slept for an hour and ten minutes or so and woke up a bit dazed and confused. That seems to happen a lot since having Covid a few weeks ago. I slowly came to my feet and reached over and grabbed my cable release and unlocked the trigger and ended my exposure. That exposure was 4,415 seconds. The image that appeared on the back of the camera was mostly white, but I could see that it had picked up some star trails. We always shoot in camera raw. My dad, Rachel, and I all shoot with Nikon D850 camera bodies. I usually shoot the Northern Lights with my Nikkor 14-24mm lens at 14mm and that was the lens I had used Saturday night. The way D-SLR cameras work is when you shoot in camera raw, the camera body has it’s own processor inside of it (which is kind of its own version of Photoshop). The camera processes that raw image and spits out a pretty horrible looking jpeg on the back of the LCD screen. Those bad looking jpegs on the LCD screen always look washed out, anemic, with very little color, and “foggy”. We have learned to not base much in terms of quality off our LCD screens in the last 17 years of shooting digitally. I was not expecting much from my photo shoot Saturday night as I walked back to my truck. It was a nice night on the beach and it was a good nap. Fast forward to Monday afternoon. I finally downloaded my images yesterday at our gallery in downtown Ludington. I have attached a screen capture of the original raw file how it looked on the back of my camera and how it looked on my computer screen yesterday. You can see it looks white and washed out. Then I opened that raw file and made our standard moves to that image. You can see that screen capture as well. Again, these are our basic moves. The only three minor changes to this file versus our standard camera raw presets is I moved the clarity from 30 to 99. I moved the texture to 17 to help with the noise. I moved the blacks from -70 to -100. I moved the shadows from +70 to +100. These are standard moves for our Northern Light images. To my total shock, with those standard moves, the image showed an immense amount of red, orange, and yellow. The other cool thing I didn’t expect was that the stars seem to be moving in two different circles. I have never seen that before in one of our long exposure night sky images. Usually, the stars are all moving around the North Star. The other thing Rachel spotted instantly while looking at my computer screen with me was the giant red heart in the upper right portion of the photo. I am not a scientist or a Northern Lights expert, but I am pretty sure that my 73 and a half minute exposure did indeed pick up the Northern Lights.