Buttersville Peninsula

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Lake Michigan Vista
Lake Michigan Vista
The view of Lake Michigan from the Pere Marquette Township campground is among the most panoramic from point to point. Rough water and storm clouds can add drama, but exceptional quality of natural light I like to call "magic light" or storm light is essential to making the view the most spectacular.
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Rachel Gaudette's Golden Path 5437
Given the choice between the Yellow Brick Road and this path to the beach along Lake Michigan in Buttersville, I would choose this path. I felt like I struck gold when I spotted it after rushing to get to the shoreline before sunset. I knew from the golden light painting the countryside along the US31 freeway south of Ludington that if I could just get to the beach in time I would have the opportunity to make an image that would look and feel far more like summer than winter. My instincts were well rewarded.
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Golden Path
Golden Path
Given the choice between the Yellow Brick Road and this path to the beach along Lake Michigan in Buttersville, I would choose this path. I felt like I struck gold when I spotted it after rushing to get to the shoreline before sunset. I knew from the golden light painting the countryside along the US31 freeway south of Ludington that if I could just get to the beach in time I would have the opportunity to make an image that would look and feel far more like summer than winter. My instincts were well rewarded.
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Windswept
The first two weeks of October are a glorious time of year along the Lake Michigan shoreline. For several decades, I have told my photography students more often than they want to hear, “Clouds are your friends.” Early October is a great time to experience sunshine, fresh breeze and crisp, clear air painted with billowy clouds. When these conditions exist, the dune grasses and beaches appear most alive, and so do I! I visualized this image months before making it about 2001 when we lived near Lake Michigan at Crosswinds south of Ludington. My beloved Labrador retriever Beamer and I passed this spot during our daily hikes through the dunes to and from the beach. For several months, this particular stand of dune grass stood out to me from hundreds of others. I wouldn’t let Beamer go near it because I knew it had the makings of a great image; I imagined what the scene would look like in the sharp “magic light” of October. One early October morning, as Beamer and I were passing by this special spot, there it was! Mother Nature had brought all the ingredients together. All I had to do was turn around and take Beamer back home, grab my Nikon F100 and tripod and finish making the photograph. Since I had the image designed in my mind for months, all that was left to do now was fine-tune it artistically and nail it technically. That meant applying years of experience to make certain I made a perfect exposure on the Fuji Velvia transparency film I was using at the time. Almost two decades later, this image remains one of my favorite lakeshore images because it is so experiential for me and others. Brad and I say good photography is all about feeling. I can touch, taste and smell this image. I think a lot of other people feel the same way. The image puts me there; it puts others there.
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Rolling Thunder

I was awestruck watching one of the most impressive and unique storm fronts I have ever witnessed roll toward Ludington on July 12, 2007. The massive cloud formation looked more like a gigantic breaking wave than any cloud I had ever seen as it swept ashore from Lake Michigan just after 6 p.m., bringing wind, rain, and darkness with it. A few minutes earlier, my cell phone had rung while I was halfway through my 15-minute drive from our photography gallery in downtown Ludington to our lakeshore home at the time, south of Ludington. It was my wife, Debbie, calling to say she was almost home and was looking at the most amazing storm cloud she had ever seen approaching Ludington. She said I had  best hurry if I was going to catch it with my camera.

I drove rather quickly to the nearby Pere Marquette Campground, calling my son Brad at the gallery while en route. He was manning the store alone. I told him to run out the door, jump in his truck and drive the three miles to what locals have named the “First Curve” at Ludington State Park. We were working on a book on Ludington State Park at the time. I knew if he could get there in time, he might capture the storm with his camera for inclusion in the book. I calculated that the high-bank cliff at the campground a mile south of the harbor was the nearest and best vantage point where I could get an unobstructed view of the storm in time. 

I parked outside the campground, grabbed my camera bag and tripod and ran as fast as my 58-year-old legs could go carrying 40 pounds of gear. Campers lined the cliff’s edge, high above Lake Michigan, as I found a spot between people big enough to slam my tripod down. We were in the face of the biggest shelf cloud I had ever seen. I was not afraid, perhaps because my adrenaline was flying, perhaps because I had been in the heart of big storms throughout my adult life, maybe because I was so focused on getting the shot. The longer your photography career goes on, the more you know when you have gotten the shot. When I captured this moment and several others within 15 seconds of this one, I was certain I had made the shot. Still I kept shooting. You learn over time that sometimes when you have made a great image, an equally or more outstanding peak moment could have been captured if you had kept working the scene. Excitement and overconfidence can cause photographers to quit too soon. I learned on the light table decades ago the painful lesson of the need to finish making the best image you can. I am a confident photographer, but perhaps as an old newsman, I am a nervous photographer as well.

Thousands of people daily saw my best and worst photography and a lot of mediocre images in between. I strived to do my best; I still do. I made several more strong images as the storm raced toward me. The wind started blasting me, and rain pummeled me and my camera lens. The shooting was over. I looked up from my camera and realized that all but one of the couple dozen people who had lined the cliff had run for the cover of their tents and trailers. I think the two of us diehards were actually safer because their tents and trailers were downwind surrounded by big old trees. I try to avoid wooded areas during big storms. I couldn’t wait to learn how Brad had fared at the state park. As it turned out, he got in position on the Lake Michigan shoreline just in time to be underneath the massive cloud and make an image seconds before being inundated with rain. His image, “The Dark Side”, is just as good as mine; some love his dark and stormy image a lot more than my “prettier” version showing both the sunny and dark sides of the summer storm. Brad and I like to say, “Photography Is Feeling.” Each of our images evokes entirely different feelings, but most viewers have a strong reaction to both. Of all the storm cloud images I have recorded with my camera over a half-century of living, working and playing on the Great Lakes shoreline, many of them appearing as power-packed, this one stands out from all the rest because of its beauty. Brad’s image stands out from my perspective for its intense, scary yet beautiful drama. Both images continue to be among our favorites.

 

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Todd Reed\'s Day 31 of 365
Todd Reed's Day 31 of 365
Brad and I have learned that winter is one of the best times of the year to photograph sunsets. I am savoring this Lake Michigan sunset on a brisk evening on the Buttersville peninsula. F2.8 at 1/200, ISO 400, 80-200 mm lens at 200 mm
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Rachel Gaudette's Ventifacts 5437
Over thousands of years, wind driven sand has polished smooth millions of stones along the Lake Michigan shoreline. The flat-sided stones are called ventifacts. I made this photograph near the Big Point Sable Lighthouse while on a hike to the northern boundary of the Ludington State Park.
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Dune Grass Delight
Dune Grass Delight
Dune Grass Delight
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Lake Michigan Nightcap
Lake Michigan Nightcap
What a way to end Week 19 of "Tuesdays with Todd and Brad Reed: A Michigan Tribute." Where in the world can you find a better view of the sky and sunset than along the Lake Michigan shoreline? Nowhere, I think, as I view what Mother Nature has to offer this evening at Ludington. F3.5 at 1/200, ISO 100, 14-24mm lens at 14mm
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Spiritual Homecoming
Spiritual Homecoming
After spending the day photographing the Leelanau Peninsula, I return to Ludington in time to vote in the local school election. On my way home from voting I am rewarded with this uplifting Lake Michigan view from the bluffs of Buttersville. F11 at 1/500, ISO 100, 14-24mm lens at 24mm
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Brad Reed\'s Day 162 of 366 - June 10, 2020
Brad Reed's Day 162 of 366 - June 10, 2020
I inherited my Grandpa and Grandma Reed’s large grandfather clock. The kids and I have it in our dining room now. Tonight, I used my macro lens to shoot an up-close detailed shot of the face of the clock.
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Todd Reed\'s Day 192 of 365
Todd Reed's Day 192 of 365
Neighbors on the Buttersville Peninsula have left a pleasing arrangement of beach chairs in front of their home. The soft blues of the evening sky and Lake Michigan complements the chairs. I am getting that tropical feeling that makes me want to relax in one of the chairs with a Shock Top beer. Instead I savor the view while making the picture. F22.0 at 2.5, ISO 100, 12-24 mm lens at 14 mm
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Moon Morning
Moon Morning
What a way to start my day. It is 5:58 a.m. as I am eased awake by the soft glow of the moon as it sets over Lake Michigan at Buttersville Park between Ludington and Pentwater. This is one of those gentle "wine shots" that are great to savor with a cup of coffee while the tripod holds my camera. F16 at 2 seconds, ISO 100, 14-24mm lens at 23mm
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Todd Reed\'s Day 243 of 365
Todd Reed's Day 243 of 365
Everything appears to be growing bigger, better and well ahead of schedule this year. The dune grass along the Lake Michigan shoreline is in full bloom at least two weeks early and this evening it looks picture perfect to me, along with the clouds that usually don't look this good until October. F4.0 at 1/400, ISO 400, 12-24 mm lens at 24 mm
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Todd Reed\'s Day 244 of 365
Todd Reed's Day 244 of 365
It is a blue morning along Lake Michigan and I am a blue person. By that I mean I love the color blue; don't ask me why, but I always have. Some might say I wear blue clothing way too often. They probably don't notice as much my penchant for blue pictures. Now they know. F4.0 at 1/320, ISO 200, 12-24 mm lens at 12 mm
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Todd Reed\'s Day 251 of 365
Todd Reed's Day 251 of 365
The Buttersville beach is a quieter place today. The busy Labor Day weekend is over and the absence of people along Lake Michigan accentuates the fall look. F4.0 at 1/125, ISO 200, 12-24 mm lens at 24 mm
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