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The sweeping clouds of October darken the foreground of this scene, while the golden light of sunrise peeks through a break in the clouds. I love the dramatic light of October, especially in Michigan. F8.0 at 1/250, ISO 100, 18-50 mm lens at 50 mm

Nothing brightens my photographic day more than finding sunflowers in the Michigan countryside. We got tipped off about a stand of sunflowers growing at the Stakenas farm on US31 north of Scottville. The afternoon backlighting gives the sunflowers translucent brilliance and definition. F8 at 1/1250, ISO 400, 80-200mm lens at 80mm

I am getting wet making this picture but moving close to these jetties is, I know, vital to making an image that will put the viewer there. The water rushing over the tops of my waterproof shoes is cold and distracting but the image in my viewfinder is also a rush. F4.0 at 1/8, ISO 100, 12-24 mm lens at 14 mm

Warren Weaver finishes cutting another row of hay with his giant John Deere chopper on an August afternoon. The Stakenas farm is one of the biggest farming operations in West Michigan. The Stakenas family has been farming their land north of Scottville, Michigan for several generations. F8 at 1/1000, ISO 400, 80-200mm lens at 80mm

Setting your camera to the "bulb" setting allows you to take very long time exposures. I used my glow-in-the-dark watch to count 90 seconds for this exposure because the sun had set 45 minutes earlier. I also used a rear-sync flash to help brighten the foreground. The end result was a surreal looking shoreline. F22.0 at 90 seconds, ISO 100, 14 mm lens at 14 mm

While taking back roads up to the Sleeping Bear Dunes National Lakeshore tonight, we drove by this old McCormick-Deering tractor. I had my dad turn the Suburban around so I could hop out and make this photograph. Both the tractor and the massive old maple tree are timeless beauties. I wonder which one is older? F10 at 1/125, ISO 400, 18-50mm lens at 18mm

The old cemetery at the west end of Hawley Road takes on an eerie appearance on Halloween night. During a 30-second time exposure, I am using my vehicle headlights to sidelight the gate and an off-camera flash to light gravestones in order to make them emerge from the darkness. F11.0 at 30.0, ISO 100, 12-24 mm lens at 14 mm

Local knowledge and connections are invaluable when it comes to outdoor photography. One of the Stakenas boys from Scottville passed word onto us that they had some beautiful sunflowers growing on their land across the road from their farm on US31. Luckily for us, the first attempt turned out great because of the gorgeous light hitting the sunflowers. F5.6 at 1/1000, ISO 400, 600mm lens at 840mm

I have had my eye on this old caboose since we started the 365 Project back in January, but the lighting and clouds were never ideal. Tonight on the way to my Grandpa and Grandma Reed's house on M-116 near Ludington State Park for trick-or-treating, we stopped to make this photo. F18.0 at 1/50, ISO 100, 18-50 mm lens at 18 mm

As my dad sat in the sunshine in front of a beautiful field of really short sunflowers, I couldn't resist calling his name to get him to look at my camera for this photograph. I was at least 40 yards away from him when I made this image, but my super long telephoto lens brought him up close and personal while blurring the sunflowers in the background. F5.6 at 1/1000, ISO 400, 600mm lens at 840mm

Morning glory! Frost-coated swamp grasses turn to gold as the sun rises over the Pere Marquette River. What a way to wake up to the first day of November. F6.3 at 1/125, ISO 400, 12-24 mm lens at 12 mm

Other visitors and I savor the stillness and soft glow of an August evening on Sleeping Bear Bay. This spot near the old Sleeping Bear Point Coast Guard Station in Glen Haven is one of my favorite locations in the Sleeping Bear Dunes National Lakeshore. F5 at 1/800, ISO 400, 300mm lens at 300mm

Morning glory! Frost-coated swamp grasses turn to gold as the sun rises over the Pere Marquette River. What a way to wake up to the first day of November. F6.3 at 1/125, ISO 400, 12-24 mm lens at 12 mm

By stopping down my telephoto lens to an aperture of F22, I was able to get great depth of focus for this scene along the shores of the Sleeping Bear Dunes National Lakeshore in Northern Michigan. Having such a small hole in my lens for light to pass through and shooting at a low ISO of 100 allowed me to have a longer shutter speed of 1/10 of a second. It is amazing how fast water can move in 1/10 of a second. F22 at 1/10, ISO 100, 70-200mm lens at 200mm

My dad and I drove to Manistee today to visit a friend in the hospital. The visit was sad and I needed to grab my camera quickly to help ease the pain. Not far from the hospital, we found this row of trees lining Eastlake Road. Photography for my dad and me is very therapeutic. F16.0 at 1/30, ISO 100, 18-50 mm lens at 18 mm

Much of the shoreline up by the Sleeping Bear Dunes National Lakeshore is covered with smooth, colorful rocks. I enjoy watching the crystal clear fresh water of Lake Michigan dance over the array of colors and shapes created by the rocks below the surface. F9 at 1/320, ISO 800, 70-200mm lens at 170mm

With their leaves stripped away, the beautiful shape of these trees along the Lake Michigan shoreline stands out to me. I spotted them last night but the light was not good, so I am back today along South Lakeshore Drive to shoot them in sweet light. F3.2 at 15.0, ISO 100, 80-200 mm lens at 175 mm

Before making the five mile round trip hike to photograph a remote area of the Sleeping Bear Dunes National Lakeshore, I had grand visions of encountering a world-class multi-colored Lake Michigan sunset that would paint the dunes, sky, and water in neon colors. Unfortunately, we did not have a such a sunset tonight. But the long hike was worth it for this photograph, which was made in a soft, subtle light. F8 at 1/60, ISO 100, 14mm lens at 14mm

Every year I look forward to seeing this view of Lincoln Lake. I love when you can see the limbs and trunks of the trees on the northern edge of the lake while still seeing some of the color in the remaining leaves. F10.0 at 1/80, ISO 100, 18-50 mm lens at 34 mm