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In our 20-20 Vision course, my son Brad and I teach our photography students 20 concepts we use in building strong images. We like to think of these concepts as 20 distinctly different arrows in our photography quiver that we can draw from. This is the best image I have ever made of Little Sable Point Lighthouse, not only because I used a lot of image-building arrows, but because each of them was right on target maximizing the visual impact of the photograph. The dramatic clouds in the mid-October sky enabled me to use one of my favorite arrows: “Clouds are your friends.” Not only were there great clouds, but at the moment of exposure, the clouds were wonderfully positioned in relationship to the lighthouse. This was the fifth consecutive morning I had made the 60-mile round trip to Little Sable Point. I determined the ideal spot to place my tripod on the first day. My goal was to create a three-layer “Grand Scenic” layer cake, marrying foreground, middle-ground and background elements together in a beautiful union. A triangular mound of dune grass provided the perfect foreground and base in which to place my camera. This foreground layer was the most essential layer to make viewers of my finished photograph feel as though they were actually standing there with me. Brad and I strive to make photographs that transcend from pictures to experiences. We want viewers to step right into the scene. I designed and built a strong image that first morning. All the compositional elements were in place. All that was needed now was God’s “magic light” to finish the image. Four mornings in a row I watched and waited. On the fifth morning the light was sharp, the westerly wind was building up some great waves into repetitive patterns, and the clouds looked especially stunning and powerful. After 100 cold minutes, a bright beam of light appeared headed my way like a giant search light. As the light hit the lighthouse, I began shooting. A few seconds later the light also lit the dune grass in front of my camera and tripod. For about five seconds in five days, one of the most glorious shoreline scenes I have ever witnessed lay before me. Then the magic light moved on, and the scene became so much less moving. I and other photographers have made subsequent photographs from almost exactly the same spot. I don’t think Mother Nature will ever duplicate this day. I thank God I realized the need to persevere and be there at this amazing moment.

The Great Lakes freighter Algorail appeared about to strike the Ludington North Breakwall during an autumn Northwester, but its veteran captain used the powerful north wind and waves on her stern to his advantage. Moments after I recorded this scene, the ship’s bow reached the pierheads, the wheelsman wheeled the ship hard to port, and she advanced ahead while her stern transferred swiftly to the south. The big ship was guided into the harbor as though she were on a curved roller coaster track. It was a masterful piece of sailing.

In our 20-20 Vision course, my son Brad and I teach our photography students 20 concepts we use in building strong images. We like to think of these concepts as 20 distinctly different arrows in our photography quiver that we can draw from. This is the best image I have ever made of Little Sable Point Lighthouse, not only because I used a lot of image-building arrows, but because each of them was right on target maximizing the visual impact of the photograph. The dramatic clouds in the mid-October sky enabled me to use one of my favorite arrows: “Clouds are your friends.” Not only were there great clouds, but at the moment of exposure, the clouds were wonderfully positioned in relationship to the lighthouse. This was the fifth consecutive morning I had made the 60-mile round trip to Little Sable Point. I determined the ideal spot to place my tripod on the first day. My goal was to create a three-layer “Grand Scenic” layer cake, marrying foreground, middle-ground and background elements together in a beautiful union. A triangular mound of dune grass provided the perfect foreground and base in which to place my camera. This foreground layer was the most essential layer to make viewers of my finished photograph feel as though they were actually standing there with me. Brad and I strive to make photographs that transcend from pictures to experiences. We want viewers to step right into the scene. I designed and built a strong image that first morning. All the compositional elements were in place. All that was needed now was God’s “magic light” to finish the image. Four mornings in a row I watched and waited. On the fifth morning the light was sharp, the westerly wind was building up some great waves into repetitive patterns, and the clouds looked especially stunning and powerful. After 100 cold minutes, a bright beam of light appeared headed my way like a giant search light. As the light hit the lighthouse, I began shooting. A few seconds later the light also lit the dune grass in front of my camera and tripod. For about five seconds in five days, one of the most glorious shoreline scenes I have ever witnessed lay before me. Then the magic light moved on, and the scene became so much less moving. I and other photographers have made subsequent photographs from almost exactly the same spot. I don’t think Mother Nature will ever duplicate this day. I thank God I realized the need to persevere and be there at this amazing moment.

Photographers should pay farmers to grow sunflowers! When I think of million dollar view, I think of a field of sunflowers in the country as with this scene found along Beyer Road in northern Mason County. I pray the farmers who grow them make a handsome profit to continue to plant them.

A Coast Guard self-righting motor lifeboat reached sheltered water inside the Grand Haven pierheads after “heavy weather” training operations on Lake Michigan in the large waves generated by Superstorm Sandy. The 47-foot vessel is designed to operate in seas up to 30 feet and winds up to 50 knots.

Badger Going Out in Storm

I have always liked photographs that give a feeling of scale of how big the world we live in is. I call these "little object in the big world" pictures. This is one of my favorites. With storm clouds on the horizons, a small sailboat had just left safe harbor at Ludington, sailing seaward. I felt concern for the safety of the boaters yet exhilarated by the contrast portrayed.

I had been in the indoor swimming pool with my kids all afternoon at my dad and stepmom's new condo and not paying attention to the sky. Our employee, Aubry Healy, texted me a cell phone shot she had made up near Onekama of some pretty awesome clouds. I told the kids it was time to go upstairs and get changed. When we got upstairs and looked out over Lake Michigan, my jaw hit the ground and I went into full "storm chaser" mode. I knew I had missed my chances of getting a good shot in Ludington, but I calculated that if I drove down to Little Sable Point Lighthouse near Silver Lake, I might be able to get the shelf cloud over the lighthouse. After a long 30-minute drive, I was in position waiting for the storm and shelf cloud to arrive. Within 15 more minutes, the rolling clouds were upon me. I was on the bright side of the storm so the lighthouse was lit in magic light. I waited until the cloud was in just the right location in relation to the top of the lighthouse and clicked the shutter. My grin was from ear to ear as my heart was racing with excitement. My dad and I live to chase Lake Michigan storms!

I love front row seats for watching Michigan storm fronts arrive. This evening my vantage point is picturesque Snug Harbor Marina in Pentwater. Within moments it has turned from daylight to dark and the wind has picked up from 15 to 45 knots. Gotta love it! F22 at 1.6 seconds, ISO 100, 14-24mm lens at 14mm

November Storm in Grand Haven

Nobody is going to believe this is real. I can't believe what I am seeing. The clouds, the rain, the haze, the sun, the big waves, the Badger, and the color! Surreal. These were the thoughts running through my head the evening of August 20, 2009 as I was shooting this photograph during one of our weekday summer workshops. I was just glad our students were there to verify that this dream actually happened.

Nobody is going to believe this is real. I can't believe what I am seeing. The clouds, the rain, the haze, the sun, the big waves, the Badger, and the color! Surreal. These were the thoughts running through my head the evening of August 20, 2009 as I was shooting this photograph during one of our weekday summer workshops. I was just glad our students were there to verify that this dream actually happened.

My kids and I enjoyed photographing a huge cloud over Ludington tonight. The Badger was getting ready to head out into the storm and were able to get fairly close to her at the dock from my dad's boat. I loved the split tones in this image with the dark side and the light side.

Storm Front Over Ludington

Photographing lightning always gives me a jolt of adrenaline. This storm that rolled in from Lake Michigan hit Manistee with a punch. I was excited that I was able to capture a small bolt of lightning with only a shutter speed of 1/5 of a second. F22 at 1/5, ISO 100, 18-50mm lens at 27mm

Lake Superior Storm

Storm in Manistee

Badger Going Out in Storm

Carferry with Storm Clouds