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As a retired Coast Guard boatswain's mate, I am very impressed by the squared-away, ready-for-operations condition of this restored 26-foot motor surfboat at Michigan Maritime Museum in South Haven. If only the small but sturdy rescue boat could talk. I cannot imagine the stories it could tell of search and rescue missions on Lake Michigan out of Pentwater during the early 1900s. The wooden vessel's four-cylinder engine propelled it at eight to eight and a half knots. Tin sheathing helped protect it. F22 at 1/5, ISO 200, 14-24mm lens at 20mm

This morning I went flying with Ryan Johnson from Mason County Aviation. We left Ludington and immediately flew north towards the tip of the Leelanau Peninsula. To get the photographs that I had previsualized, Ryan estimated that we needed an altitude of at least 11,500 feet. From that height, I opened the window of the small plane and stuck my head and camera out into the cold, thin air. It was an awesome adrenaline rush. I made this photograph of Big Sable Point and Hamlin Lake upon our return to Ludington. F8 at 1/250, ISO 100, 18-50mm lens at 18mm

Snowy Owl

May Workshop at LSP

Bond Falls at Sunset

Upon discovering that, even in snowshoes, I was unable to walk over the five-foot snow drifts on the utility road to Big Sable Point Lighthouse, I had to figure out another way to get to the lighthouse. After using some good risk assessment, I decided my best course of action was to walk on the ice a few hundred yards off shore. After almost a mile and a half of treacherous walking and crawling, I made it to the lighthouse. Exhausted and hot, I made this image in seven degree weather, made chillier by 20 mile-per-hour winds. It was so worth the journey. D7000, F22 at 1/60, ISO 100, 10-20mm lens at 10mm

Being a farm girl, this farm near Gaylord, Michigan, caught my eye. Wading through knee-deep snow, I worked my way to achieve the composition I wanted. The subtle sunset was the perfect accent piece.

In our 20-20 Vision course, my son Brad and I teach our photography students 20 concepts we use in building strong images. We like to think of these concepts as 20 distinctly different arrows in our photography quiver that we can draw from. This is the best image I have ever made of Little Sable Point Lighthouse, not only because I used a lot of image-building arrows, but because each of them was right on target maximizing the visual impact of the photograph. The dramatic clouds in the mid-October sky enabled me to use one of my favorite arrows: “Clouds are your friends.” Not only were there great clouds, but at the moment of exposure, the clouds were wonderfully positioned in relationship to the lighthouse. This was the fifth consecutive morning I had made the 60-mile round trip to Little Sable Point. I determined the ideal spot to place my tripod on the first day. My goal was to create a three-layer “Grand Scenic” layer cake, marrying foreground, middle-ground and background elements together in a beautiful union. A triangular mound of dune grass provided the perfect foreground and base in which to place my camera. This foreground layer was the most essential layer to make viewers of my finished photograph feel as though they were actually standing there with me. Brad and I strive to make photographs that transcend from pictures to experiences. We want viewers to step right into the scene. I designed and built a strong image that first morning. All the compositional elements were in place. All that was needed now was God’s “magic light” to finish the image. Four mornings in a row I watched and waited. On the fifth morning the light was sharp, the westerly wind was building up some great waves into repetitive patterns, and the clouds looked especially stunning and powerful. After 100 cold minutes, a bright beam of light appeared headed my way like a giant search light. As the light hit the lighthouse, I began shooting. A few seconds later the light also lit the dune grass in front of my camera and tripod. For about five seconds in five days, one of the most glorious shoreline scenes I have ever witnessed lay before me. Then the magic light moved on, and the scene became so much less moving. I and other photographers have made subsequent photographs from almost exactly the same spot. I don’t think Mother Nature will ever duplicate this day. I thank God I realized the need to persevere and be there at this amazing moment.

When God creates a scene this extraordinary, you pray to God you will be there! Lake Michigan waves flooded the Ludington State Park beach on October 18, 2007, during one of the most apparent meteotsunamis Brad and I have experienced in our photographic lives. These Great Lakes weather-driven meteorological tsunamis happen many times a year. They quickly raise the water level and flood the shoreline. Most of these meteotsunamis have little impact. We have left camera bags high and dry, only to find them sitting in a lake that wasn’t there 15 minutes earlier. We knew from experience to respect the water and realize we and our camera equipment could get swept away if we did not maintain situational awareness. This day, I had chased the storm clouds to Ludington State Park after spotting them while driving to the Ludington beach. Moments after I arrived, I heard noise behind me and turned to see Brad running down to the shore wearing soccer shorts, shoes and T-shirt. It was hilarious to see someone running toward a fall Great Lakes storm dressed in that outfit. But, like me, he knew time was of the essence when he interrupted his participation in a soccer game to chase a storm. People often think we wait for hours to get our shots. But, especially in the case of fast-moving storms, we are often chasing the storm like mad dogs. Just as Brad arrived, the sun popped out of a hole in the clouds and flooded the beach with light. Before us was one of the rarest magical Lake Michigan views of our lives. I will never forget the experience of being there in sun and wind and water. Less than five minutes later, I would witness and capture with my digital camera an equally memorable out-of-this-world moment. Bottom line for photographers, when it looks this great, focus with all your being on your photography until the magic disappears.

I am obsessed with photographing water ripples. Some day we hope to do an entire book of these abstract ripple shots. Blue is my favorite color and I love how many different shades of blue appear in this photograph. The sky tonight was bright blue and had tons of huge white puffy clouds that reflected on the calm waters of Lake Michigan as we stood at the elbow of the breakwall in Ludington with several workshop students. Fuji S5. F2.8 at 1/400, ISO 100. 70-200mm lens at 200mm. On a tripod without a flash. July 2, 2009 at 7:51pm.

The Great Lakes freighter Algorail appeared about to strike the Ludington North Breakwall during an autumn Northwester, but its veteran captain used the powerful north wind and waves on her stern to his advantage. Moments after I recorded this scene, the ship’s bow reached the pierheads, the wheelsman wheeled the ship hard to port, and she advanced ahead while her stern transferred swiftly to the south. The big ship was guided into the harbor as though she were on a curved roller coaster track. It was a masterful piece of sailing.

An hour or two before sunset, my dad can usually foretell whether the sky will produce great color. I have endeavored to learn this skill from him. On this evening, my dad and I both noticed that the sky looked very similar to four nights earlier when I photographed the particle ray behind the Ludington North Pier. We immediately drove to Pentwater and our predictions were realized.

On the Western shores of Bass Lake, near Pentwater, three large tree-covered hills grace the horizon. I have heard many names for these hills, but the local favorite is The Three Sisters.

The Hollyhock, a 225-foot Coast Guard buoy tender, made a surprise visit to Ludington Harbor this week. Tonight, we loaded our family into my dad's little Boston Whaler in order to get a closer look at the beautiful Coast Guard ship. Once we got close, we noticed that the Hollyhock was reflected on the surface of the water. F5.6 at 1/250, ISO 100, 18-50 mm lens at 18 mm

I have long wanted to make a picture at this spot along the Betsie River near Crystal Mountain Resort. This is a perfect morning; nothing to it but to stop life's express train and do it. F11.0 at 1.0, ISO 400, 12-24 mm lens at 22 mm

My grandpa, Bud Reed, would have turned 93 today. Earlier today we dedicated a sculpture in his honor in the new Veteran's Mall in Stearns Beach in downtown Ludington. I felt my grandpa's presence on the Lake Michigan shoreline as I was making this image. I love this photograph and believe it is one of the best I have ever captured.

The Great Lakes freighter Calumet sits in Manistee harbor, protected from high waves left over from a Lake Michigan storm. Meanwhile seagulls flock to the open water around the ship to forage for fish.

First Street Beach in Manistee is always a great place to photograph a beautiful Lake Michigan sunset. After a long, hard day of shooting, it warmed my soul to see the sun pop through the clouds just before sunset. D800, F8 at 1/60, ISO 100, 70-200mm lens at 130mm

The Charlevoix Lighthouse stands out any time of year with its bright red aid-to-navigation paint job, but surrounded by a fresh coat of ice it bursts forth like a rocket. The compositional elements lend themselves to this vertical composition as well as the horizontal image I have already made in the same spot.

While growing up, my grandpa, Bill Marble, had a reddish horse named Rose. I thought she was beautiful and have always liked horses that color. Today, not far from Fremont, Michigan my dad and I stumbled upon this gorgeous red rider.