Tuesdays with Todd and Brad Reed: A Michigan Tribute

The Duck Lake Watershed along US31 near Interlochen has long been in my mental diary of views that could make a good picture on the right day. Today, with a fresh blanket of snow and light snow falling, it finally looks picture perfect.

Like hundreds of shark's teeth, icicles cling in near perfect symmetry to a railing along the walkway leading to the Charlevoix Lighthouse. I decide to make the icicles the focus of this image. I know the bright red lighthouse and its reflection will still attract enough attention to stand out as a small part of my picture.

The Charlevoix Lighthouse stands out any time of year with its bright red aid-to-navigation paint job, but surrounded by a fresh coat of ice it bursts forth like a rocket. The compositional elements lend themselves to this vertical composition as well as the horizontal image I have already made in the same spot.

I visualized how the Charlevoix Lighthouse might look three hours and 150 miles before I got there. The fresh coat of ice on the Charlevoix pier from yesterday's north wind and waves looks even better than I envisioned. I am loving being right here, right now in Northern Michigan.

The combined patterns of snow, sand, dune grass, clouds, and snow fence make an interesting composition. I like this winter view of the Frankfort shoreline but I know it would be more colorful and more magical if enough light could get out from under those clouds and bounce off them. Nope; not happening tonight. At least I tried.

The howling winds off Lake Michigan and the bitter cold temperatures have turned the peaks of the Silver Lake Sand Dunes into a cavernous landscape. I lay on my stomach and got very close to a sculpted sand cave in order to lose the size perspective.

I love black and white photography. Today's bright overcast light, along with the varying tones of the sand, ice, and snow make for stunning images. I love how this sand formation looks like it could be part of the Grand Canyon.

I have always been drawn to the color blue, especially when it is mixed with shades of green. The tropical looking waters of Lake Michigan and the golden dune grass blended together perfectly through my large telephoto lens in order to create the warm, calm feeling I was looking for.

Simplicity is one of the 20 concepts we teach in our 20/20 Vision workshops. Simple pictures can be hard to pull off because there is a very fine line between simple and boring. Thankfully the gorgeous sunlight reflecting off Lake Michigan helped make this simple picture beautiful and not boring.

I followed this immature bald eagle in my truck all the way from the Sable River at Ludington State Park to just south of the First Curve on M116. The beautiful young creature finally came to rest near the top of some trees between Epworth and Lincoln Hills. The eagle definitely had a bird's eye view of the world from atop the blowing trees.

After I waited over an hour for this immature bald eagle to fly, it finally took flight and headed the wrong direction. Luckily I was using my 600mm F4 Nikkor lens with a 1.4 teleconverter on my new Nikon D7000 camera body so I could still show a little detail of this young raptor as it looked for food along the shores of Lake Michigan. F6.3 at 1/8000, 6400 ISO, 600mm lens at 840mm

A setting full moon greets us as Brad and I wait for dawn's early light. The light of the moon should give us a jump on spotting a snowy owl we know is hanging out in a West Michigan field.

Frost backlit by the rising sun highlights the shapes and shadowy forms of milkweed pods. I know the extreme range of tonal values will enable me to expose for the highlights and render the shadows darker and more dramatic than my eye is seeing.

Rim lighting is always dramatic, especially on frosty mornings in Michigan. With my large telephoto lens, the busy background goes out of focus very quickly making the grasses stand out even more.

Seeing a snowy owl appear through the fog and darkness as the sun rose this morning was an emotional experience for me. My grandma, Linda Scott, always loved snowy owls and every time I see one on television or in print it makes me miss her. This photo is dedicated to her.

I could not imagine a softer looking, more exquisite setting in which to photograph a snowy owl. The rising sun was just beginning to light and color the fog when this snowy owl landed on a frost-coated, grassy berm right in front of me. This Northern Michigan winter view felt picture-perfect to me as I carefully focused and exposed the image.

After following this same snowy owl the entire day, I was finally able to sneak close enough to the mystical creature to capture all the intricate details of its feathers and magnificent eyes. The beautiful side lighting made the eyes of this snowy owl look even more dramatic and powerful.

After following this same snowy owl the entire day, I was finally able to sneak close enough to the mystical creature to capture all the intricate details of its feathers and magnificent eyes. The beautiful side lighting made the eyes of this snowy owl look even more dramatic and powerful.

Using a shutter speed of only 1/200 of a second with a 600mm telephoto lens allowed me to partially freeze the body of the snowy owl, yet still show the movement of his wings. However, if this scene unfolded in front of me again, I would shoot it at 1/320 of a second in order to have the owl's face a bit sharper. Experience is the best teacher.

Getting flying objects sharp and in focus while photographing with large telephoto lenses takes a lot of practice. For years, I would be presented with beautiful moments and would somehow mess up the exposure or focus, and the bigger the lenses, the more mistakes I would make. Today, I got "lucky" with these mallards and my practice is paying off.